Archive for the ‘writing’ Category

Crazy Old Man

He sat beside the old man in the darkness, the hole in the top of the teepee the only source of light.  The old man, naked, sat there quietly watching the fire.
“What are we going to do?” John asked, but the old man said nothing, he just sat, watching the fire.  John wanted the man to say something, wanted him to give a lecture about magic.  John felt comfortable in lectures, felt that someone was in charge and knew that he was going somewhere, comfortably, a journey from one idea, a core set of accepted ideas within the culture to some cultural or intellectual outlier, shepherded carefully by the knowledgeable guide who had researched and plotted out their course.  Here, there was none of that.  John was pressed up against the raw edge of discomfort, disgust, he felt it hard to take deep breaths and not just because of the smoke.  He was having a difficult time concentrating, focusing on anything, his brain was trying to take in all the information at one time.  He did not like not knowing where they were going, he did not like not knowing what they were going to do.  Doing his best to calm down and pretend that he was not in the middle of fucking nowhere with a complete stranger sitting naked and silent beside him about to take part in a ceremony that had no name or description.  John did what he did in situations like this, he framed it as fodder for his novel or a story.  He took another deep breath and closed his eyes, then opened them again.

He created a shaman, a real shaman, not this crazy old man beside him, naked and apparently dumb, but a skinny old man in animal skins with crazy hair and crazier eyes.  They sat in a tent much like the one they were in now, but it was heavy with scented smoke and hung with animal bones.  “What are we doing?” the main character asked.  “What we are going to do,” said the old wise man of John’s creating, “does not have a name.  It is the nameless act.”  “A nameless magic?” asked John’s main character.  “No, we do not even call it magic, for it has no name, and will not be named.  Speech is a magic in and of itself.  This, what we are about to do, is the power that gave us that magic, the power before speech, the light that came out of the darkness, that which gave us our soul and our understanding, our speech and the power to name, and with the power to name, the power to create!  But, there is a flipside to that creation, giving something a name can also diminish it, give it a limit, create what it can and cannot be.  This power that we are about to indulge in is beyond that, its is something that cannot be given a name, it does not exist within your net of words and will not be contained by any term or the craft of human speech.”  John’s main character was awed by this speech, taken aback by the crazy old man’s instinctive understanding of semiotics.

Back in the real teepee, he heard the old man next to him grunt.  It was only a grunt, an exhalation of air through the back of the man’s throat and through his nostrils, but John knew, immediately and certainly, that the old man had been listening to John’s thoughts the entire time, and that the magic that he’d created in his head did not meet with the old man’s approval.

“Well if you don’t like it, why don’t you tell me what I should believe instead?” said John angrily to the old man, embarrassed both that he’d been so easily read and that he’d been so wrong about something he wanted so badly to be right about.

The old man looked at John placidly, pointed to John, poking him hard in the chest with a blunt finger that annoyed John more than he thought it should have.  Then the old man put both hands over his eyes keeping them covered for a moment, then removed them again, looking directly at John.  There was no emotion in his eyes, just a clear-eyed observation.  His gaze withheld nothing from John and in return John could withhold nothing from the gaze, and in that moment he realized just how much unconscious artifice he was accustomed to carrying around with him, how much dancing he did with the information he carried around, how many walls and mazes he had erected to keep people from knowing what it was he was thinking and feeling, and how accustomed he was to walking the labyrinths that other people erected for the exact same reason.  He realized, looking into the open gaze of the naked, fat old man he realized how tired he was, how much energy this took to keep himself from the world around him, and to keep the world around him from himself.  How often he chose to see what people wanted him to believe rather than admitting to himself what he knew to be true just by looking at a person.  His brain tried and failed to launch into an academic observation of the social and personal selves, but something, some thing quick and dark shot the thought out of the air and it crumpled and fell like a crow crushed by a stone.  John was left with nothing but himself and the gaze of the old man and without warning he began to cry.

The Secret Crevices of His Body

In his darker moments, the moments between ideas, between recollections and reminisces, the moments when he could do nothing but be honest with the weight that he carried around in the lining of his stomach, in the spaces between his organs, the weight of the shadows that he had swallowed and stored in the secret crevices of his body, he felt wounded, felt broken.  He knew that this secret was not much of a secret, that the track of his life through the snow showed a wounded and staggering man.

He felt he was the best, but had never found a way to show it, not for a long time.

He knew he should be content, that he had a good job with good friends, that there were many things in his life that by any standard of happiness should have been enough for a man of his age and stature.  That he was young and successful with many years ahead of him filled with unseen successes.  And yet it wasn’t.  None of it was good enough, because any stone that he might take pride in could be flipped to reveal a failure in disguise of success.  And he knew that given a certain kind of self-discipline he might learn to leave those stones lay as they were, to see only the successes, yet he could not settle for that, for he felt that kind of discipline was settling for the illusion of success rather than its reality.  He wanted a stone he could not turn over, a stone that did not have an underside, one that could not, in any light, be viewed as a disappointment.

He regretted, perhaps most of all, and perhaps this was the root of all his other worries, concerns and insuffiencies, his inability to give himself wholly to anything, his inability to truly commit himself to something, without reservation and without regret.  He was not consumed, as he felt so many of his friends were, by anything.  No, that was not true, he was consumed only by the need to know that this was real, by the fear that none of this was.  It was a cycle, he knew, that his passion undermined passion, that the one thing he was dedicated to unraveled anything good and satisfying in his life.  And yet, how could he trust anything that could not withstand the scrutiny?  How could he trust anything at all?

Something Fragile and Beautiful

02.13

There is something fragile and beautiful, he thinks, about all of this.  Something ephemeral that I could never articulate with words.  He thinks of, but does not look at, the board behind him, filled with the symbols of his scrawling.  He sits in a suit of rough brown material, whose thickness has always reassured him, and a non-descript tie that he wears everyday like a piece of camouflage.  He sits with his feet on the desk, an empty desk, a desk for show, for resting things upon but not for storing things.  He sits at this desk, the lecture hall empty, the children with unkempt hair and untidy minds filtered out, never in a hurry, never in a hurry.  He sits at this desk, the clock ticking away from four towards five, academia emptying of its charges, its overseers still at their desks, their desks used for storing things and for resting things upon, dotting their eyes and crossing their teeth.  He sits at this empty desk and his feet are up, resting upon the corner, the bureaucratic chair, a pitiful thing whose upholstery, never much to speak of, is fraying to the point of tearing, allowing patches of bureaucratic yellow foam, the cheap kind that has no elasticity and flattens at the rumor of pressure, has begun to peak through, like a pesky, toxic fungus.  He leans back in this chair, his feet on the corner of the desk thinking that in another time, in another place he would be smoking a cigarette, a Chesterfield, he thinks, back when that brand name carried some elegance and represented something more than the nouveau-riche credentials of being smoked by grubby punks at art space openings.  But maybe that was his imagination, constructing, as usual, a time and a place that never existed, reconstructing nothing more than a myth that existed before he was born, or before he was coherent at least, which left him, perhaps more noble or more pathetic than his peers who, he thought, accepted and cherished the myths of the present day without reservation or regret, without the nostalgia that stained the majority of his thoughts like coffee or soda, that colored the light of consciousness that filtered into the glass-walled cathedral of his mind.

He sat at this desk with his feet in the air and no cigarette neither imagining that he had accomplished something, nor worried that he had accomplished nothing.  The truth, well, the truth was inconsequential.  This he knew from experience, the experience of striving for and failing to find anything concrete in his life, anything concrete in life.  Life, his life, since he knew that outside of empirical truth there was only subjective reality, thus he could, he would, only speak for himself and avoid with a meticulousness that his coworkers and friends found eccentric to the point of annoyance, speaking on behalf of anyone else, so that he had, almost completely, eliminated the word ‘you’ from his vocabulary, except when he was speaking directly to someone, as, he often thought in his habitual emotional deconstruction of important and not so important conversations, the word was meant to be used, and not in the universal sense, the way in which the word was almost exclusively used by the rest of the world.  This had the inverse consequence of creating an irritation that had not existed before, an emotional allergy to the use of the word ‘You’ when the person really meant ‘I’.  Thus, he thought, my life, not life in general, which was something else entirely, a sprawling mass of muscles, bones, blood, semen, sweat and shit that extended itself continually forward despite the poison that filled the air and the toxins that filled the seas, yes that was life, the insatiable urge to push forward despite the drawbacks, the primal urge to continue, drawn on by the unspeakable, the unknowable, the mystery that infuses the instant just out of site, the moment grasped for but never caught.  This is life, he thought, of which I cannot speak with any experience, but only construct poetic images that reflect my own desire for that urge, my own longing for that longing, because life, my life, does not feel full of fire and urges, but more like a shifting bog of emotional turmoil to be survived, at best.

Which is why, sitting in the quiet classroom, his feet up on the corner of the desk, the air conditioning still humming in the southern Californian autumn, he didn’t worry about whether or not he had taught anything today, whether any of the darts he’d worked so hard to puncture their minds with had found their mark and were, even now, as these slovenly children made their way through buildings, into parking lots, into automobiles and onto freeways, seeping their slow poison of curiosity and knowledge into the otherwise distracted and frantic minds.  He knew that he would never know, and in seeking to know only sought to undermine himself.  He had, in surviving the years of self-abuse and self-sabotage, learned to walk this path ever so delicately, to rest in the moment following a lecture, a class, a conversation and observer his reactions without reacting to them.  He had learned, through years of ritual scarring, to still his mind and keep from reacting to his reactions, to keenly observe his feelings about his feelings and subdue them before they spiraled out of control into a frenzy of self-loathing and regret over missed opportunities and social faux pas, which he knew, again from wisdom culled of pain and depression, were more of his own creation than they were a shared reality with the lecture, class conversation in which he had just taken part.

So he sat there, in the empty lecture hall, the southern Californian dusk threatening from the west, though invisible in the otherwise beige fortress that contained the lecture hall in which he sat, dancing very carefully with himself, allowing that animal part of him to obsessively review the last seventy-five minutes for signs of weakness or error, a paranoid sailor checking his knots, an autistic fisherman checking his nets, and at each moment of tension, at each discovery of some perceived stumble or misstep he relaxed, drew back and continued on avoiding becoming tangled in the net of his own making.  And when he had finished his imaginary cigarette, when there were no knots left to check he took a deep breath and exhaled, he removed his feet from the idea of a desk on which they had been resting, relieved the chair of its burden for another Friday, retrieved the belongings that he had brought with him and, like the children before him, made his own pilgrimage to the parking lot, got in his car and started the engine blissfully unaware that he would drive home through light traffic to find out that his father had died that afternoon.

Black, Red, White

Black. In the beginning it is always black. It is the absence of everything, the emptiness of space, its infinite distance stretching lightless in every direction before a single fire is lit, balancing for a moment on the tip of her finger before pouring through the nothing-becoming-something in a single silver flash. It is the color of separation. It is the fullness of everything, rich black soil turned by the steady silver plough. It is the warm, wet black of the womb, wherein the child turns and grows, floating in the darkness growing, waiting for a chemical signal to flood through the membranes and the fluid, compressing the darkness and then, finally, piercing it.

Black. It always begins with black. Black running to red. Black running to green. Black is the color of potential, the box in which all things are locked. Black is the color of rest and growth; the shadow in which I find respite, the long and restful slumber. Black is the color of potential, the color of secrecy and code for the unknown, all of which are related, moving back and forth between each other with the fluidity of shadows. Black is the color of waiting. The color of perfect patience, balanced delicately on silver strings, waiting for the sound of panic to come running up its legs. Black is the color of before.

Red. Red is the wine pouring from the chalice, red is the blood pouring from the yoni, red is the color of our fingers traced against the blazing sun. The color of fire, the color of life, running through our veins and through the earth. Red is without hesitation, the color of seizure and war. The color of anger and friction and burning. Red is the color of movement, conflict and collision. The color of tongues in conversations, kissing lips and pricked fingers. Red is the color of now.

White. White is the color of passing. It is the color of age and the color of bone. White is the color of faded paint and faded fabric; white is the color of the forgotten, the form that no longer holds its color, the material that no longer holds its form. White is the color of age and disease, the creeping reminders of physical frailty. White is the color of God, the color of return, the color dissolution. White is the loss of importance and the color of understanding. It is the color of release and renewal; return and rejoining. White is the moment after now, the one we assuming is not coming. White is the color of coming home.

The Power of Discipline?


The Power of Discipline?

 

My wife bought me three “Crystal Journey Candles” (a horrible name, evoking visions of flaky pagans, that does not do justice to these extremely well made candles) partially because they’re wonderfully made candlese, and partly because they make for great spiritual reminders.  I merely asked her for red and green candles, since those are the colors I’m being drawn to lately.  Red for its boldness and green for its explosive power of growth.  The three candles she bought me were Courage (red), Motivation (red) and Money (green).  Today I did a meditation on the Motivation candle. 

 

The way that the Crystal Journey Candles work is that they’re wrapped in a paper pamphlet of sorts with a prayer on the front.  The instructions say to sit and hold the unlit candle allowing the energy within the candle to enter into your being where it is most needed.  The light the candle and say the prayer.  This is the prayer for the Motivation candle:

 

Let me move forward, allowing

The power of discipline to guide

my life.  Allow me to focus on

my desired goals and puruse them

with strength and conviction.

 

I followed the instructions and held the candle, inhaling deeply its wonderful fragrance of sunflower, myrrh and frankincense and doing my best to sense the energy within.  After a minute or so holding the candle I set it down, lit it and said the prayer three times, each time with more emphasis.  I also had out my Thoth Tarot Emperor card, since he’s a good card for discipline, and that seemed to be the theme of Motivation.

 

As I meditated one phrase from the prayer came to mind: The power of discipline.  What did that mean?  I, for one, have never understood discipline as a power.  It is not a generative mode of action in my mind.  Discipline is a filter that I apply to my otherwiser creative energy in order to accomplish things that I do not generally want to do.  Homework, when I was in school, was something that required discipline.  Cleaning the house is something now that requires discipline.  Add to that the more popular meaning of discipline, essentially to punish, and the word has an altogether negative meaning for me: at best, one of restriction and at worst one of punishment.

 

So then what is the power of discipline?  Is this prayer just outright wrong?  Possibly, but unlikely.  A prayer can’t be right or wrong.  It merely is.  Instead of worrying about whether the prayer was wrong, I worked to reframe discipline as the prayer had.  How could discipline be a power, and engine, a creative force?  Still, my heart flinched from the idea.  Creative power to me lies in the epiphany, the moment of genius or englightenment.  This is where the generative mode of thought, being and action lies.  Simultaneously, though, I understand all too well the pitfalls of epiphany.  It is the spark that, if left untended, dies.  It is the myth of genius that tells me that if I haven’t accomplished something by now then I’m not likely to accomplish it at all, because all true greatness is already inlaid into our being from the start, and is revealed in moments of ephiphany, through no power of our own.

 

In walking once again down the well-trodden path of epiphany and genius I began to see the power of discipline, and the need for the combination of epiphany and discipline in motivation.  In beginning to combine these two things I no longer saw the Emperor as the card of motivation, but the Chariot.  Certainly the Emperor is the card of discipline, but the Emperor isn’t going anywhere; he’s sedentary, settled and managing a kingdom that he’s already established; he is home; or in its reversal the Emperor is so comfortable with his schedule and discipline that he is afraid to leave the safety of his kingdom. 

 

The Chariot, on the other hand, is the combination of discipline and desire.  The charioteer has, in a moment of epiphany, harnessed the collective power of nature and used it to further his own goals.   The method of accomplishment was discipline.  While the idea may have come with enlightenment, its accomplishment came through hard work: building the chariot, capturing or training the animals, and the constant application of discipline while riding the chariot.  His motivation then, is whatever he needed the chariot in order to get to.  Perhaps a sick princess in need of a healing herb.  Perhaps an embattled king in need of  reinforcements.  Perhaps a higher paying job.  Maybe a better relationship, or an improved relationship.  The motivation itself isn’t clear in the card, that comes from the context of the reading.

 

So having reframed motivation through the lens of the power of discipline the question for me is no longer how do I find the discipline, but how do I focus on my goals in a way that makes the discipline easier to deal with?  How do I stay focused on what I’m chasing long enough to build the chariot?  I think my trouble with motivation is that I’m not sure what I want.  I’m not sure what I want to use my chariot for.  I’ve got a great chariot already, and the beasts are waiting to pull, but I’m really not sure where I’m going to take it.  So a lot of what I do in my chariot is joy riding, which is fun, but doesn’t accomplish much.